What the UK Audit Commission taught me about Marriage
www.audit-commission.gov.uk
On the different types of Marriages :
“Some partnerships are strategic; others are operational in focus; some partnerships attract dedicated funding, others do not. Some are limited companies, others are charitable trusts and still more are unincorporated associations…. The governance arrangements for different forms of partnership working are determined by their legal form”
On spending His money:
“even where the partnership does not spend money directly, it will need to influence how partner bodies spend and it must be able to judge the impact of this funding in helping to achieve shared objectives.”
On sex::
“bodies need to improve the coordination within and between different partnerships, in order to ensure that they understand which of the mainstream services provided by their partners already help to deliver their own objectives”
On money issues in general::
“resources:will budgets be merged or pooled or will individual agency spending be aligned to partnership objectives? How will value for money be assessed? “
On mothers, mothers-in-laws, bosses etc::
“External reporting: are constituent organisations accountable to different external bodies andhow will that affect ways of working and performance management requirements?”
On pre-nups::
” if a partnership had a good writen agreement to start with, it has a 3 x higher chance of succeeding (60 vs 22 percent)”
On screwing-up::
“accountability: how will partners share in contributing to better performance and who is responsible if things go wrong?”
On complaints and redress:
“The ability to manage complaints effectively is the acid test of .. accountability in a partnership working. Therefore, it is central to the governance of partnerships”
On quarreling::
“assessing the contributions of different partners to complex outcomes:how will partners agree to share risks, costs, benefits and rewards? “
On divorce::
“Partners should regularly review how they work to determine whether the outputs and outcomes merit continued involvement”
On affairs:
“Partners need to bring clarity to the governance of their collaboration. This requies agreement among them about purpose, membership and accountabiliy”
On the characteristics of a Good Spouse:
“Hard characteristics include, reliable financial data, performance data and risk assessments, which are generated by robust systems and processess and which produce timely and appropriate information for decision makers (ie, me). The soft factors encompass leadership, which sets overall objectives, the roles and responsibilities required to achieve them and cultural attributes like openess, honesty and integrity (The Cadbury Priniciples)
How to clean oily lunchboxes without water
Here’s useful trivia I learnt from the lab = )
To clean oily lunchboxes etc without soap and water :
1. Pour a few drops of Hand-sanitizer (the water-free kind recommended for H1N1) onto your lunchbox/plate etc
2. Use a normal dry tissue to gently spread the Hand-sanitizer all over, the way you would do with dish-washing liquid.
3. Use another dry tissue to clean it all off.
VIOLA!!! Oil-free, sauce-free, germ-free lunchboxes!!!! No need water!!!
I find this very useful for the lunchboxes I pack for work, where I’m too lazy to walk to the bathroom/pantry to use soap and water.
Good for sales people on-the-go, or mothers with kids stuff.
For oily-hands, i still like the Wet-tissues from Watsons, but that doesn’t work well for oily lunchboxes.
Oh, and having that travel-size Hand-sanitizer is also good for very easy cleaning of white-boards with permanant-marker writings!!!
Photography Enthusiasts: Open Call for works, Themed : Text and Image
My friend’s planning an exhibition and calling for works. Thought the theme was really interesting to explore!
Dear friends,
I’m currently working on a group exhibition based on Text and Image (working title) with 2902 Gallery. As this stems from my interest to explore the interplay between text and images in art, artworks could thus be in a variety of forms (photography, installation, video etc).
Just a few things to note:
1. If you have a work/body of works suitable for this show, please let me know. They may even be works in progress as the exhibition is scheduled to take place in Dec (there is still some time… fingers crossed). However, I’ll need you to express your interest by 25th Oct (Sun). Do not be put off by the paperwork and tight deadline.
2. I’ll be happy to elaborate on this exhibition as well as to send you a short write-up so you can better comprehend its motivation. Drop me an email at somemoreplants@yahoo.com if interested.
3. It’ll be great if you can forward this to any friends whom may be keen. They can also reach me at the above email address.
OK, here’s the lengthy bit!
About the exhibition
Text and Image calls for artists whose works explore the various relationships between the two through writing and photographic images. Both are ubiquitous mediums given our media-saturated world, we encounter their complementing and at times conflicting relationships through our everyday activities, be it through reading, blogging, shopping or travelling.
The exhibition aims to put together an interesting body of works that highlight the dynamic discourse between these two quotidian, communicative mediums. It is scheduled to take place 18 December 2009 to 30 January 2010 at 2902 Photo Gallery.
Open Call Submission
1. The exhibition is looking for:
a) Completed works that fit the exhibition’s theme.
b) Works in progress that are relevant and can be completed by the stipulated deadline.
c) Proposed works that are relevant and could be completed by the stipulated deadline.
An artist can submit up to a maximum of three different bodies of work for this exhibition.
This exhibition is open to interested parties based locally or overseas.
DO NOT submit actual works at this stage, see below for more details.
2. How to submit:
Note: Only JPEG and Word document will be accepted
Each project submission should include:
1) a resume (not more than two A4-size pages),
The resume should include your
a) name and contact details (handphone number, email)
b) date of birth
c) nationality
2) a one-paragraph bio (about 200 words)
3) an artist’s statement (not more than two A4-size pages).
The artist’s statement should include:
a) your name
b) a clear explanation about your work/s
c) how the work/s should be presented (prints, self-made books, video, etc)
d) year(s) in which it is made.
4) Jpeg images (in a zipped folder, if possible)
a)Do not send more than eight images for each body of work.
b)Each image in 96 dpi, compression 7-8, and with its shorter side at 10cm.
c)Image should reflect clearly how the text and photographic image are meant to work together.
d) Images should also reflect how the works are meant to be displayed
e) If necessary, paste images onto a Word document and further illustrate the relationship through writing
Pls Note:
Send one project in one email. All documents (1 – 3) should be in Microsoft Word format.
Do not resend your resume and bio if you are submitting more than one project.
Do not send prints or CDs/DVDs.
Curator may contact artists for more details if necessary.
Submissions must be made electronically to :
2902gallery@gmail.com
All submissions to have name/country on email subject line
Example: Text & Image: Your Name/Country You Are From
Submission call will close on 25th Oct 2009
For general enquiries, please send to info@2902gallery.com
3. About Exhibition’s Call for Submission
There is no specific theme apart from the exhibition’s intention to explore Text & Image. Photography must be used in the process of creating the work. All genres of photography as well as digital manipulation are accepted. Submitted works may be presented in prints, self-made books, video, or any other format as suggested by the artist.
The exhibition is open to all nationality, however, overseas artists, if selected must be willing to bear the cost of insurance and postage for their works. Selected artists should install their own works. However, the curator and her team can help look into the installation of works for those artists who cannot be around. These artists must be able to produced a detailed and comprehensive plan.
Only selected artists will be notified via email by 30th October 2009. Artists will then be expected to submit their chosen works latest by end-November. The exhibition aims to put together the works of about 6 artists, with about 1 – 2 bodies of work representing each artist. Works for the exhibition will spread over 3500 square feet, with 22 meters of white wall space available. For more information on gallery space, please go to www.2902gallery.com
Other important information:
All works will be for sale and the gallery takes a commission of 33% the price of the work sold. The gallery will take care of all publicity events which include writing to press, emailing its contacts, organising an opening reception & publicity material to complement the show. Please note GST 7% is applicable in all sales transaction in the gallery.
2902 GALLERY
Source: www.2902gallery.com



Appeal from TWC2 for maid abuse case
Sha Najak sent a message to the members of TWC2.
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Subject: Cruel family spends time together – in jail
The Straits Times
Nov 4, 2009
Cruelty doesn’t seem to have bounds and this time, the culprits are a family of them.
On Wednesday, the last of them – 39-year-old grandmother Maselly Abdul Aziz – paid the price for going to the extreme.
She was jailed three years for pouring boiling water on maid Badingah’s genitals and joining in to extract the Indonesian woman’s two front teeth with pliers.
Her two older children and a woman described in court as Maselly’s lesbian lover were jailed last year for their part in abusing the maid, the Singapore Straits Times reported.
Maselly, a divorcee, will start her jail sentence on Dec 28 as her elder daughter Nur Rizan Mohd Sazali, 19, would be released on home detention by then to look after her (Nur Rizan’s) two-year-old son.
After the three-week trial, Singapore District Judge Jeffrey Sim was also convinced that Maselly had hit Badingah with a metal rod and threatened to kill her.
She pleaded guilty to employing another foreign maid without a work permit between March and December 2005 and was fined S$7,500.
Nur Rizan had acted as the “dentist” in extracting the maid’s teeth. Elsa Elyana Said, 25, a container driver and said to be Maselly’s lesbian lover, held the maid’s head still and forced her mouth open.
Nur Rizan was jailed 26 months – 12 months for forcibly extracting the two teeth and another 14 months for pouring boiling wax on the maid.
Elsa was jailed 17 months while Nur Rizan’s brother Muhammad Iz’aan, 21, a waiter, was jailed six weeks for caning Bandigah.
In the teeth extraction incident, Bandigah had been accused of theft and kept protesting her innocence. But she was not believed – and went on to lose her teeth.
Bandigah, in one of the punishments meted out for an unnamed infraction, had been ordered to stand facing the door through the whole night with one leg off the ground and holding her ears.
Muhammad Iz’aan caned her when she put down that leg.
In July 2007, Badingah escaped by jumping from a window of the second-storey flat near Havelock Road to seek help.
She was found with numerous injuries including bruises, cuts, an infected scalp and scalding on her genitals, thigh, arms, and back.
Link: http://www.facebook.com/l/828db;www.straitstimes.com/Breaking%2BNews/Singapore/Story/STIStory_450246.html